Cuddlebuggery Book Blog > Reviews

Poisoned Apples

Christine Heppermann handles female issues in such a unique and interesting way in Poisoned Apples. Her poetic style is quirky, witty and deeply real, highlighting numerous problems with gender inequality girls face throughout their pubescent stage into adulthood. Keep in mind, however, that she also somehow manages to infuse these with classic fairy tales we grow up on. Cinderella, Sleeping Beauty, Little Red Riding Hood and other themes like Prince Charming are merged with issues such as sex, eating disorders, body image, social pressures, sexism, abuse and more. And as an added bonus we’re treated to mesmerizing photographs like this:

For the most part, I really felt like I could identify with many of the poems in one way or another, especially the ones on body image and the society’s outrageous beauty standards for women through use of mainstream media. I love how she questions what beauty is and what it means to be a woman. 

A Little Something Different

Lea and Gabe belong together…or at least that’s what the majority of the people in this book want to believe. So why do strangers, from bus drivers to squirrels, want this relationship to blossom? Because Lea and Gabe are practically the same person! And two boring people must realize that they have feelings for each other, even though they barely speak to one another. Are you following this? Because A Little Something Different left me wishing that I had read, well, something different.

The first issue that I have with this novel, and unfortunately it is the only reason this one stands out from other stories, is the multiple points of view. While some were okay, others were pointless. Why do you need to know what a bench (yes, you read that right) is thinking? How does that help the story? And why do I care that the main characters like to talk to the same squirrel–because that makes sense–and it can’t find its acorns?


Julia’s House for Lost Creatures is the first title I have read from Ben Hatke but if all his books are like this one, I’m going to hunt them down and read them all. The premise of this picturebook is deceptively simple. A magical Julia arrives into town with her house (which is carried from place to place by a humongous turtle) and settles in by the sea. But her house is too quiet and she’s lonely so Julia decided to open her house to lost creatures of all kinds.

The art of this picturebook is out of this world with bright colours and beautiful lines. The art is wonderfully creative. The typography matches the story perfectly and the writing itself is simple enough for a child to read on their own but Hatke uses some sophisticated diction to keep things a bit challenging. Julia is a fantastic heroine because not only is she capable and friendly, but she is also enterprising and deft with her hands.

Open Road Summer

What happens when you hit rock bottom and your best friend is coincidently about to headline a summer tour around the country? You take advantage of that epic road trip, of course! Reagan O’Neill is a little, well, out of control. Her family life is less than ideal and her ex-boyfriend hurt her beyond repair. Her summer vacation with her best friend and country superstar Lilah Montgomery is the perfect chance to start over. Add an adorable and handsome opening act to the mix and you get a very unexpected surprise. Even though the premise sounds like the perfect summer read, Open Road Summer was a little less awesome and a lot more genetic than I was expecting.

I was really looking forward to the road trip aspect of this novel. However, despite some exceptions, it was more of a “venue-to-venue” sort of trip instead of an exploration of the cities they visited.


“Everyone was talking about their own work as well, and about the superpowers of their agents, the bloody-mindedness of copy editors, and the perfidies of marketing departments. Darcy was swimming in a sea of publication, and all she wanted to do was drown.”

I’ve long felt that writing is – and always has been – my strength. It’s something that I have always enjoyed doing, and the feedback that it has received over the years has me believing that it’s a skill that I’m at least somewhat competent at. Yet I’ve never had much of an urge to try my hand at storytelling. Essays and reviews are all very well and good, but the thought of attempting a novel’s worth of fiction has never much appealed to me. Perhaps I simply don’t have the patience or work ethic. Perhaps I’m afraid of inadvertently telling a really, really crummy story. Whatever the reason, the concept of writing a book just hasn’t been an interest of mine.

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